Crossposted from V for Vegan.
I’ve heard mention of Isabella Rossellini’s latest project, Green Porno, here and there – ecorazzi, The Colbert Report, CNN even – but never bothered to follow up, seeing as I don’t get the Sundance Channel and all. But an article in Bitch magazine’s Spring ’09 issue (No. 43, appropriately titled “the buzz issue”) made me take a second look.
In “Wings of Desire: Bug sex as a gender revolution,” Katura Reynolds examines the subversive nature of Green Porno (as well as British evolutionary biologist Olivia Judson’s alter ego, Dr. Tatiana): by depicting (non-human) animal sex in all its kinky, decidedly non-vanilla glory, these projects challenge our traditional views of what “natural” sexuality and gender expression look like in the animal kingdom.
“Bug sex” is so much more then heterosexual, missionary style pairings: bugs may be male, female, or hermaphrodites; heterosexual, homosexual or asexual; reproduce through sexual activity, parthenogenesis, or an alternative combination thereof; etc. (Some, like the preying mantis, even engage in sexual cannibalism, consuming their partners during coitus.) The same holds true for many animal species, humans included; for example, in his 1999 book, Biological Exuberance: Animal Homosexuality and Natural Diversity (which I highly recommend, by the way), Bruce Bagemihl reviewed existing evidence which points to observed homosexual behavior in nearly 1500 animal species.
Green Porno, which is currently in its second season and airs on the Sundance Channel Tuesdays at 9 PM ET, is a bit cheesier and cheekier than its British cousin, – which is so raunchy that it’s not even available on Region 1 DVDs, let alone running on U.S. television. (You can, however, view a few clips of the show on You Tube.)
The eight short films in [season 1 of] Green Porno were written by Rossellini and codirected with Jody Shapiro. They feature Rossellini acting out the sex lives of flies, praying mantises, earthworms, dragonflies, gees, fireflies, snails and spiders. The films are simultaneously hilarious, scientifically accurate, unrepentantly corny, compellingly sexy, and completely bizarre. […]
Rossellini strives for a simple, childlike atmosphere in the films. She starts each in a bodysuit, saying, “If I were a [type of bug],” and then her costumes gradually build as the film progresses: extra arms, compound eyes, snail shells, you name it. The props and supporting characters are made from giant cut-paper sculptures, like she’s wandered into a kindergarten classroom plastered in giant paper flowers.
The schoolroom setting is chosen very deliberately – it’s a foil for overtly sexual content. Rossellini gets it on with huge paper models of flies, mantises, and bees; she gasps and moans in orgasmic ecstasy as a firefly and a snail; she runs around waving hands covered in paper cutouts of sperm as a spider. As stated in the press release, “If human, these acts would not be allowed to air on television. [Indeed, Dr. Tatiana’s human reenactments and live non-human animal footage is not.] They would be considered filthy and obscene.” But the silly costumes and absurd props distract audiences from the flagrantly, graphically sexual content. Comedy often serves as a harbor for the unspeakable. By laughing at the silliness of it all, we can disarm the taboo.